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內有報名文件連結
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| 名家字帖瀏覽人次排行 |
上月 |
本月 |
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86 |
79 |
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| 宋 |
蘇軾 |
與定國帖 |
33 |
60 |
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| 唐 |
歐陽詢 |
卜商帖 |
46 |
57 |
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跋趙吳興書 An article |
作者： 董其昌 Tung Chichang
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朝代： 明 Ming Dynasty
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 放大預覽
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【作者介紹】 |
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董其昌，字玄宰，號思白、思翁，別號香光居士，松江華亭人。明代書法家。兼工楷、行、草書，形成生拙秀雅的書法風格。在書法理論上，他強調書法貴有古意，認為書法必須熟後能生，即以生拙之態來掩飾技法的嫻熟，藉以表現書法的「士氣」。
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Inside Story
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In the article Tung Chichang mentioned when he was young he didn’t think Chao Mengfu’s calligraphy was good, as he was getting old he was then able to appreciate the beauty of Mengfu’s calligraphy, and he couldn’t help to look at it over and over again. He remembered Mengfu once said a shallow man would consider his calligraphy extraordinary while he was just learning how to hold a brush. He thought there were many people bragged so much but actually knew so little, but he was able to avoid such a fault. |
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| 明 祝允明 |
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| 〈前後赤壁賦〉是東坡極為有名的作品，特別是〈前赤壁賦〉更是佳作中的佳作。其中主要表達的思想，是東坡在貶官之餘，看到赤壁壯闊的景色，想起三國時的種種事情，進而感受到「人」的渺小、人生的短暫與無常，心中因此而感到難過，但是又進一步表示人生雖然短暫，但是人的精神境界如果不被俗世的名利所束縛，而能夠像大自然一樣無拘無束，這樣的人生，也是一種永恆。需要特別說明的是，東坡寫〈前後赤壁賦〉時所處的赤壁，並不是三國時赤壁之戰的赤壁，只是名字一樣而已，東坡就借著一樣名字而有所發抒。 |
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